Qing Ming Festival

Chinese Student celebrated QingMing Festival

The Qingming Festival also known as Pure Brightness Festival or Clear Bright Festival,Ancestors Day, Festival for Tending Graves, Grave Sweeping Day, Chinese Memorial Day, or Tomb Sweeping Day is a traditional Chinese festival on the 104th day after the winter solstice (or the 15th day from the Spring Equinox), usually occurring around April 5 of the Gregorian calendar . Astronomically it is also a solar term. The Qingming festival falls on the first day of the fifth solar term, named Qingming. Its name denotes a time for people to go outside and enjoy the greenery of springtime and tend to the graves of departed ones.

Qingming has been regularly observed as a statutory public holiday in Taiwan and in the Chinese jurisdictions of Hong Kong and Macau. Its observance was reinstated as a nation wide public holiday in mainland China in 2008.The transcription of the term Qingming may appear in a number of different forms, some of which are Qingming, Qing Ming, Qing Ming Jie,Ching Ming and Ching Ming Chieh.

                                                  Chinese People visit their family's graves

                                                                         Jie Zi Tui

Qingming Festival is when Chinese people visit the graves or burial grounds of their ancestors. Traditionally, people brought a whole rooster with them to the graves visited but the occasion has become less formal over time. The festival originated from Hanshi Day , a memorial day for Jie Zitui . Jie Zitui died in 636 BC in the Spring and Autumn Period. He was one of many followers of Duke Wen of Jin before he became a duke. Once, during Wen's 19 years of exile, they had no food and Jie prepared some meat soup for Wen. Wen enjoyed it a lot and wondered where Jie had obtained the soup. It turned out Jie had cut a piece of meat from his own thigh to make the soup. Wen was so moved he promised to reward him one day. However, Jie was not the type of person who sought rewards. Instead, he just wanted to help Wen to return to Jin to become king. Once Wen became duke, Jie resigned and stayed away from him. Duke Wen rewarded the people who helped him in the decades, but for some reason he forgot to reward Jie, who by then had moved into the forest with his mother. Duke Wen went to the forest, but could not find Jie. Heeding suggestions from his officials, Duke Wen ordered men to set the forest on fire to force out Jie. However, Jie died in the fire. Feeling remorseful, Duke Wen ordered three days without fire to honour Jie's memory. The county where Jie died is still called Jiexiu.

                                                     Xuan Zong the emperor of Tang Dynasty

Qingming has a tradition stretching back more than 2,500 years. Its origin is credited to the Tang Emperor Xuanzong in 732. Wealthy citizens in China were reportedly holding too many extravagant and ostentatiously expensive ceremonies in honor of their ancestors. Emperor Xuanzong, seeking to curb this practice, declared that respects could be formally paid at ancestors' graves only on Qingming. The observance of Qingming found a firm place in Chinese culture and continued since Ancient China

Some foods that serve to remember chinese's ancetors

The Qingming Festival is an opportunity for celebrants to remember and honour their ancestors at grave sites. Young and old pray before the ancestors, sweep the tombs and offer food, tea, wine, chopsticks, joss paper accessories, and/or libations to the ancestors. The rites have a long tradition in Asia, especially among farmers. Some people carry willow branches with them on Qingming, or put willow branches on their gates and/or front doors. They believe that willow branches help ward off the evil spirit that wanders on Qingming.

                                                                      Burning Paper

On Qingming people go on family outings, start the spring plowing, sing, and dance. Qingming is also the time when young couples start courting. Another popular thing to do is to fly kites in the shapes of animals or characters from Chinese opera. Another common practice is to carry flowers instead of burning paper, incense or firecrackers.

                                                                      Zhou En Lai

The holiday is often marked by people paying respects to those who died in events considered sensitive in China. The April Fifth Movement and the Tiananmen Incident were major events on Qingming that took place in the history of the People's Republic of China. When Premier Zhou Enlai died in 1976, thousands visited him during the festival to pay their respects. Many also pay respects to victims of the Tiananmen Square protests in 1989 and the graves of Zhao Ziyang and Yang Jia in areas where the right of free expression is generally recognized, as in Hong Kong. In most areas of China observance of sensitive events are suppressed and all public mention of such events is taboo. In Taiwan this national holiday is observed on April 5 because the ruling Kuomintang moved it to that date in commemoration of the death of Chiang Kai-shek on April 5.

                                                               Chiang Kai Shek

Despite having no holiday status, the overseas Chinese communities in Southeast Asian nations, such as those in Singapore and Malaysia, take this festival seriously and observe its traditions faithfully. Some Qingming rituals and ancestral veneration decorum observed by the oversea Chinese in Malaysia and Singapore can be dated back to Ming and Qing dynasties, as the oversea communities were not affected by the Cultural Revolution in Mainland China. Qingming in Malaysia is an elaborate family function or a clan feast (usually organized by the respective clan association) to commemorate and honour recently deceased relatives at their grave sites and distant ancestors from China at home altars, clan temples or makeshift altars in Buddhist or Taoist temples. For the oversea Chinese community, the Qingming festival is very much a family celebration and, at the same time, a family obligation. They see this festival as a time of reflection and to honour and give thanks to their forefathers. Overseas Chinese normally visit the graves of their recently deceased relatives on the nearest weekend to the actual date. According to the ancient custom, grave site veneration is only feasible ten days before and after the Qingming Festival. If the visit is not on the actual date, normally veneration before Qingming is encouraged. The Qingming Festival in Malaysia and Singapore normally starts early in the morning by paying respect to distant ancestors from China at home altars. This is followed by visiting the graves of close relatives in the country. Some follow the concept of filial piety to the extent of visiting the graves of their ancestors in mainland China. Traditionally, the family will burn spirit money and paper replicas of material goods such as cars, homes, phones and paper servants. In Chinese culture, it is believed that people still need all of those things in the afterlife. Then family members start take turns to kowtow three to nine times (depending on the family adherence to traditional values) before the tomb of the ancestors. The Kowtowing ritual in front of the grave is performed in the order of patriarchal seniority within the family. After the ancestor worship at the grave site, the whole family or the whole clan feast on the food and drink they brought for the worship either at the site or in nearby gardens in the memorial park, signifying family reunion with the ancestors.

Hanshi, the day before Qingming, was created by Chong'er, the Duke Wen of the state of Jin during the Spring and Autumn period. The festival was established after Chong'er accidentally burned to death his friend and servant Jie Zhitui and Jie Zitui's mother. Chong'er ordered the hills in which they were hiding set on fire in the hope that Jie Zitui would return to his service, but the fire killed Jie and his mother. Because of this, people were not allowed to use fires to heat up food and the date became named Hanshi. Eventually, 300 years ago, the Hanshi "celebration" was combined with the Qingming festival and later abandoned by most people.

                                                                       Pre- Qing Ming Tea

The Qingming festival holiday has a significance in the Chinese tea culture since this specific day divides the fresh green teas by their picking dates. Green teas made from leaves picked before this date are given the prestigious 'pre-qingming' ) designation which commands a much higher price tag. These teas are prized for having much lighter and subtler aromas than those picked after the festival.

                                                               Bian Jing City Gate

long the River During the Qingming Festival is a panoramic painting by Song Dynasty artist Zhang Zeduan (1085–1145). It captures the daily life of people from the Song period at the capital, Bianjing, today's Kaifeng. The theme celebrates the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. The entire piece was painted in hand scroll format and the content reveals the lifestyle of all levels of the society from rich to poor as well as different economic activities in rural areas and the city. It offers glimpses of period clothing and architecture. As an artistic creation, the piece has been revered and court artists of subsequent dynasties have made several re-interpretive replicas. The painting is also known for its geometrically accurate images of variety natural elements and architectures, boats and bridges, market place and stores, people and scenery. It is often considered to be the most renowned work among all Chinese paintings and it has been called "China's Mona Lisa."

Over the centuries, the Qingming scroll was collected and kept among numerous private owners, before it eventually returned to public ownership. The painting was a particular favorite of emperor Puyi, who took the Song Dynasty original  with him to Manchukuo. It was later re-purchased in 1945 and kept at the Palace Museum in the Forbidden City.

About 20 to 30 variations on this topic by artists of subsequent dynasties were made. Several Ming and Qing versions can be found in public and private collections around the world.^[6] Each version follows the overall composition of the original fairly faithfully, however, the details often vary widely. The Song Dynasty original and the Qing version, in the Beijing and Taipei Palace Museums respectively, are regarded as national treasures and are exhibited only for brief periods every few years. For instance, the wait in Beijing to see the painting was three and a half hours.

The bridge scene where the crew of an oncoming boat have not yet fully lowered their sails and are in danger of crashing into the bridge

Scene of urban sprawl right before the bridge leading to the main gate of the city 

The main gate of the city and the urban setting within, with teahouses, vendors, homes, and various figures interacting with one another

In the 5.28-meter long picture, there are 814 humans, 28 boats, 60 animals, 30 buildings, 20 vehicles, nine sedan chairs, and 170 trees. The countryside and the densely populated city are the two main sections in the picture, with the river meandering through the entire length.

The right section is the rural area of the city. There are crop fields and unhurried rural folk—predominately farmers, goatherds, and pig herders—in bucolic scenery. A country path broadens into a road and joins with the city road.

The left half is the urban area, which eventually leads into the city proper with the gates. Many economic activities, such as people loading cargoes onto the boat, shops, and even a tax office, can be seen in this area. People from all walks of life are depicted: peddlers, jugglers, actors, paupers begging, monks asking for alms, fortune tellers and seers, doctors, innkeepers, teachers, millers, metalworkers, carpenters, masons, and official scholars from all ranks.

Outside the city proper (separated by the gate to the left), there are businesses of all kinds, selling wine, grain, secondhand goods, cookware, bows and arrows, lanterns, musical instruments, gold and silver, ornaments, dyed fabrics, paintings, medicine, needles, and artifacts, as well as many restaurants. The vendors (and in the Qing revision, the shops themselves) extend all along the great bridge, called the Rainbow Bridge or, more rarely, the Shangtu Bridge .

Where the great bridge crosses the river is the center and main focus of the scroll. A great commotion animates the people on the bridge. A boat approaches at an awkward angle with its mast not completely lowered, threatening to crash into the bridge. The crowds on the bridge and along the riverside are shouting and gesturing toward the boat. Someone near the apex of the bridge lowers a rope to the outstretched arms of the crew below.

In addition to the shops and diners, there are hotels, temples, private residences, and official buildings varying in grandeur and style, from huts to mansions with grand front- and backyards.

People and commodities are transported by various modes: wheeled wagons, beasts of labor (in particular, a large number of donkeys and mules), sedan chairs, and chariots. The river is packed with fishing boats and passenger-carrying ferries, with men at the river bank, pulling the larger ships.